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    <fireside:hostname>web01.fireside.fm</fireside:hostname>
    <fireside:genDate>Sat, 04 Apr 2026 03:07:00 -0500</fireside:genDate>
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    <title>SoundLives - Episodes Tagged with “Composer Conversation”</title>
    <link>https://soundlives.fireside.fm/tags/composer%20conversation</link>
    <pubDate>Thu, 20 Jul 2023 10:00:00 -0400</pubDate>
    <description>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>SoundLives, a NewMusicBox podcast, shares insights and stories from people who dedicate their lives to new music. </itunes:subtitle>
    <itunes:author>Frank J. Oteri</itunes:author>
    <itunes:summary>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
</itunes:summary>
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    <itunes:explicit>no</itunes:explicit>
    <itunes:owner>
      <itunes:name>Frank J. Oteri</itunes:name>
      <itunes:email>box@newmusicusa.org</itunes:email>
    </itunes:owner>
<itunes:category text="Music">
  <itunes:category text="Music Interviews"/>
</itunes:category>
<itunes:category text="Arts"/>
<item>
  <title>Episode 23: inti figgis-vizueta: the ability to grow</title>
  <link>https://soundlives.fireside.fm/23</link>
  <guid isPermaLink="false">51e1219e-2123-4e34-8b8b-b50288b845c2</guid>
  <pubDate>Thu, 20 Jul 2023 10:00:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/51e1219e-2123-4e34-8b8b-b50288b845c2.mp3" length="85910846" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>inti figgis-vizueta likens her compositions to plants and creates music that carefully balances experimentation and practicality.</itunes:subtitle>
  <itunes:duration>59:39</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/5/51e1219e-2123-4e34-8b8b-b50288b845c2/cover.jpg?v=1"/>
  <description>inti figgis-vizueta creates music that carefully balances experimentation and practicality. In her conversation with Frank J. Oteri, she likens her compositions to plants which have the ability to grow and change when different people performing them. And in the last few years inti's music has been championed by an extremely wide range of musicians from Roomful of Teeth to Ensemble Dal Niente to the Kronos Quartet. 
</description>
  <itunes:keywords>NewMusicBox, New Music USA, experimental music, chamber music, extended durations, emerging composers, Kronos Quartet, Roomful of Teeth</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>inti figgis-vizueta creates music that carefully balances experimentation and practicality. In her conversation with Frank J. Oteri, she likens her compositions to plants which have the ability to grow and change when different people performing them. And in the last few years inti&#39;s music has been championed by an extremely wide range of musicians from Roomful of Teeth to Ensemble Dal Niente to the Kronos Quartet.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>inti figgis-vizueta creates music that carefully balances experimentation and practicality. In her conversation with Frank J. Oteri, she likens her compositions to plants which have the ability to grow and change when different people performing them. And in the last few years inti&#39;s music has been championed by an extremely wide range of musicians from Roomful of Teeth to Ensemble Dal Niente to the Kronos Quartet.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 19: Tania León: The Rhythm of Life</title>
  <link>https://soundlives.fireside.fm/19</link>
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  <pubDate>Wed, 07 Dec 2022 14:45:00 -0500</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/a86c2c19-3e5c-483b-aea1-30b495807cfe.mp3" length="75374000" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>The new music community has been impacted, inspired and transformed by Tania León as a musical creator--as well as an interpreter, educator, and organizer--for decades.</itunes:subtitle>
  <itunes:duration>52:20</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/a/a86c2c19-3e5c-483b-aea1-30b495807cfe/cover.jpg?v=1"/>
  <description>The new music community has been impacted, inspired and transformed by Tania León as a musical creator--as well as an interpreter, educator, and organizer--for decades. In the last two years, the rest of the world has caught up with her. In 2021, she received the Pulitzer Prize for Music for her extraordinary orchestral composition Stride which was given its world premiere performance by the New York Philharmonic just a few weeks before the COVID-19 pandemic reached New York City. And in December 2022, she was awarded the Kennedy Center Honors along with George Clooney, Amy Grant, Gladys Knight, and the four members of the Irish rock band U2; to mark the occasion all were greeted at The White House by U.S. President Joe Biden. Back in 1999, Tania León was the very first composer featured in a one-on-one conversation for NewMusicBox; with this new SoundLives podcast recorded more than 23 years later, she is the first person ever so featured twice!  
</description>
  <itunes:keywords>New Music USA, NewMusicBox, Amplifying Voices, orchestra, Pulitzer, Kennedy Center Honors, Cuba</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>The new music community has been impacted, inspired and transformed by Tania León as a musical creator--as well as an interpreter, educator, and organizer--for decades. In the last two years, the rest of the world has caught up with her. In 2021, she received the Pulitzer Prize for Music for her extraordinary orchestral composition Stride which was given its world premiere performance by the New York Philharmonic just a few weeks before the COVID-19 pandemic reached New York City. And in December 2022, she was awarded the Kennedy Center Honors along with George Clooney, Amy Grant, Gladys Knight, and the four members of the Irish rock band U2; to mark the occasion all were greeted at The White House by U.S. President Joe Biden. Back in 1999, Tania León was the very first composer featured in a one-on-one conversation for NewMusicBox; with this new SoundLives podcast recorded more than 23 years later, she is the first person ever so featured twice! </p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>The new music community has been impacted, inspired and transformed by Tania León as a musical creator--as well as an interpreter, educator, and organizer--for decades. In the last two years, the rest of the world has caught up with her. In 2021, she received the Pulitzer Prize for Music for her extraordinary orchestral composition Stride which was given its world premiere performance by the New York Philharmonic just a few weeks before the COVID-19 pandemic reached New York City. And in December 2022, she was awarded the Kennedy Center Honors along with George Clooney, Amy Grant, Gladys Knight, and the four members of the Irish rock band U2; to mark the occasion all were greeted at The White House by U.S. President Joe Biden. Back in 1999, Tania León was the very first composer featured in a one-on-one conversation for NewMusicBox; with this new SoundLives podcast recorded more than 23 years later, she is the first person ever so featured twice! </p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 17: Victoria Shen (Evicshen): The Landfill of Meaning</title>
  <link>https://soundlives.fireside.fm/17</link>
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  <pubDate>Wed, 10 Aug 2022 11:00:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/48b615df-baff-42dc-9342-5c2336e453bd.mp3" length="66392518" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>Victoria Shen's needle nails technique is just one of many new approaches to making sounds she uses in her performances and installations.</itunes:subtitle>
  <itunes:duration>45:47</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/4/48b615df-baff-42dc-9342-5c2336e453bd/cover.jpg?v=4"/>
  <description>Victoria Shen's needle nails technique, which was appropriately earlier this summer in a Beyoncé video, is just one of many new approaches to making sounds that Shen (who performs under the moniker Evicshen) uses in her provocative performances and installations. But even though all the sounds she makes, and often all the devices she uses to make them as well, are her own creations, she is ambivalent about describing herself as a composer as she tells Frank J. Oteri in this NewMusicBox podcast. To learn more about Shen and to see as well as hear more of her work, please visit NewMusicBox: https://newmusicusa.org/nmbx/victoria-shen-the-landfill-of-meaning/ 
</description>
  <itunes:keywords>experimental music, noise, performance art, sound installation, composer-performer, improvisation, post-modern</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Victoria Shen&#39;s needle nails technique, which was appropriately earlier this summer in a Beyoncé video, is just one of many new approaches to making sounds that Shen (who performs under the moniker Evicshen) uses in her provocative performances and installations. But even though all the sounds she makes, and often all the devices she uses to make them as well, are her own creations, she is ambivalent about describing herself as a composer as she tells Frank J. Oteri in this NewMusicBox podcast. To learn more about Shen and to see as well as hear more of her work, please visit NewMusicBox: <a href="https://newmusicusa.org/nmbx/victoria-shen-the-landfill-of-meaning/" rel="nofollow">https://newmusicusa.org/nmbx/victoria-shen-the-landfill-of-meaning/</a></p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Victoria Shen&#39;s needle nails technique, which was appropriately earlier this summer in a Beyoncé video, is just one of many new approaches to making sounds that Shen (who performs under the moniker Evicshen) uses in her provocative performances and installations. But even though all the sounds she makes, and often all the devices she uses to make them as well, are her own creations, she is ambivalent about describing herself as a composer as she tells Frank J. Oteri in this NewMusicBox podcast. To learn more about Shen and to see as well as hear more of her work, please visit NewMusicBox: <a href="https://newmusicusa.org/nmbx/victoria-shen-the-landfill-of-meaning/" rel="nofollow">https://newmusicusa.org/nmbx/victoria-shen-the-landfill-of-meaning/</a></p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 15: Anthony Davis: Any Means Necessary</title>
  <link>https://soundlives.fireside.fm/15</link>
  <guid isPermaLink="false">af01f0f6-39cd-4362-a79d-a92ae1120788</guid>
  <pubDate>Mon, 16 May 2022 18:45:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/af01f0f6-39cd-4362-a79d-a92ae1120788.mp3" length="82949510" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>Anthony Davis uses jazz, classical, and many other styles in operas dealing with major historic events or important social concerns.</itunes:subtitle>
  <itunes:duration>57:36</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/a/af01f0f6-39cd-4362-a79d-a92ae1120788/cover.jpg?v=1"/>
  <description>For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it's inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns. As he tells Frank J. Oteri in this latest episode of NewMusicBox's SoundLives podcast, "What we face now ... has made it more urgent for me, as an artist, to present things to challenge those forces." Read more on NewMusicBox: https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/. 
</description>
  <itunes:keywords>NewMusicBox, SoundLives, composer conversation, jazz, opera, social justice, X, Central Park Five</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it&#39;s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns. As he tells Frank J. Oteri in this latest episode of NewMusicBox&#39;s SoundLives podcast, &quot;What we face now ... has made it more urgent for me, as an artist, to present things to challenge those forces.&quot; Read more on NewMusicBox: <a href="https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/" rel="nofollow">https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/</a>.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it&#39;s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns. As he tells Frank J. Oteri in this latest episode of NewMusicBox&#39;s SoundLives podcast, &quot;What we face now ... has made it more urgent for me, as an artist, to present things to challenge those forces.&quot; Read more on NewMusicBox: <a href="https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/" rel="nofollow">https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/</a>.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 14: Sarah Hennies: Getting at the Heart of a Sound</title>
  <link>https://soundlives.fireside.fm/14</link>
  <guid isPermaLink="false">fb6a4bb1-e484-4f0e-8dc1-648db3285693</guid>
  <pubDate>Wed, 23 Mar 2022 11:00:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/fb6a4bb1-e484-4f0e-8dc1-648db3285693.mp3" length="78884220" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates.</itunes:subtitle>
  <itunes:duration>54:29</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/f/fb6a4bb1-e484-4f0e-8dc1-648db3285693/cover.jpg?v=3"/>
  <description>How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates. Despite the extremely broad stylistic range of her output, everything from her early collaborative work as part of an experimental rock band to a multimedia documentary to extended duration solo and chamber music compositions for various instrumental combinations, it all shares a concern for extremely precise sonic gestures and involves a great deal of repetition. While Sarah Hennies prides herself on scores that are extremely economical (a score for a nearly 34-minute piece is a mere two pages), the sonorities feel extremely generous. 
</description>
  <itunes:keywords>NewMusicBox, New Music USA, experimental music, chamber music, DIY, minimalism, extended durations</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates. Despite the extremely broad stylistic range of her output, everything from her early collaborative work as part of an experimental rock band to a multimedia documentary to extended duration solo and chamber music compositions for various instrumental combinations, it all shares a concern for extremely precise sonic gestures and involves a great deal of repetition. While Sarah Hennies prides herself on scores that are extremely economical (a score for a nearly 34-minute piece is a mere two pages), the sonorities feel extremely generous.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>How we perceive sound on a psychological level as it unfolds over time is key to the sonic experiences that Sarah Hennies creates. Despite the extremely broad stylistic range of her output, everything from her early collaborative work as part of an experimental rock band to a multimedia documentary to extended duration solo and chamber music compositions for various instrumental combinations, it all shares a concern for extremely precise sonic gestures and involves a great deal of repetition. While Sarah Hennies prides herself on scores that are extremely economical (a score for a nearly 34-minute piece is a mere two pages), the sonorities feel extremely generous.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
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