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    <fireside:genDate>Wed, 08 Apr 2026 20:12:53 -0500</fireside:genDate>
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    <title>SoundLives - Episodes Tagged with “Interviews”</title>
    <link>https://soundlives.fireside.fm/tags/interviews</link>
    <pubDate>Thu, 01 Jun 2023 12:30:00 -0400</pubDate>
    <description>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
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    <itunes:subtitle>SoundLives, a NewMusicBox podcast, shares insights and stories from people who dedicate their lives to new music. </itunes:subtitle>
    <itunes:author>Frank J. Oteri</itunes:author>
    <itunes:summary>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
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    <itunes:owner>
      <itunes:name>Frank J. Oteri</itunes:name>
      <itunes:email>box@newmusicusa.org</itunes:email>
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  <itunes:category text="Music Interviews"/>
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  <title>Episode 22: Brandee Younger: A Hip-Hop Baby Transforms the Harp</title>
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  <pubDate>Thu, 01 Jun 2023 12:30:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
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  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres.</itunes:subtitle>
  <itunes:duration>45:36</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres. How she has transformed this instrument seems without precedent. But a huge role model for her was Dorothy Ashby, a jazz and later R&amp;amp;B harpist and composer who, in the years since her death, has become one of the recording artists most heavily sampled on hip-hop tracks.  Brandee Younger's latest album, Brand New Life, plays tribute to Dorothy Ashby, by taking her poly-stylistic inclinations even further.   
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  <itunes:keywords>NewMusicBox, SoundLives, interviews, conversations, harp, jazz, hip-hop, R&amp;B, collaboration</itunes:keywords>
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    <![CDATA[<p>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres. How she has transformed this instrument seems without precedent. But a huge role model for her was Dorothy Ashby, a jazz and later R&amp;B harpist and composer who, in the years since her death, has become one of the recording artists most heavily sampled on hip-hop tracks.  Brandee Younger&#39;s latest album, <em>Brand New Life</em>, plays tribute to Dorothy Ashby, by taking her poly-stylistic inclinations even further.  </p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
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  <itunes:summary>
    <![CDATA[<p>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres. How she has transformed this instrument seems without precedent. But a huge role model for her was Dorothy Ashby, a jazz and later R&amp;B harpist and composer who, in the years since her death, has become one of the recording artists most heavily sampled on hip-hop tracks.  Brandee Younger&#39;s latest album, <em>Brand New Life</em>, plays tribute to Dorothy Ashby, by taking her poly-stylistic inclinations even further.  </p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
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