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    <fireside:genDate>Wed, 08 Apr 2026 05:46:26 -0500</fireside:genDate>
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    <title>SoundLives - Episodes Tagged with “Jazz”</title>
    <link>https://soundlives.fireside.fm/tags/jazz</link>
    <pubDate>Thu, 01 Jun 2023 12:30:00 -0400</pubDate>
    <description>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
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    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>SoundLives, a NewMusicBox podcast, shares insights and stories from people who dedicate their lives to new music. </itunes:subtitle>
    <itunes:author>Frank J. Oteri</itunes:author>
    <itunes:summary>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
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    <itunes:explicit>no</itunes:explicit>
    <itunes:owner>
      <itunes:name>Frank J. Oteri</itunes:name>
      <itunes:email>box@newmusicusa.org</itunes:email>
    </itunes:owner>
<itunes:category text="Music">
  <itunes:category text="Music Interviews"/>
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<itunes:category text="Arts"/>
<item>
  <title>Episode 22: Brandee Younger: A Hip-Hop Baby Transforms the Harp</title>
  <link>https://soundlives.fireside.fm/22</link>
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  <pubDate>Thu, 01 Jun 2023 12:30:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/41afc1b9-5733-48a6-a759-b5e2e9099844.mp3" length="65677266" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres.</itunes:subtitle>
  <itunes:duration>45:36</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres. How she has transformed this instrument seems without precedent. But a huge role model for her was Dorothy Ashby, a jazz and later R&amp;amp;B harpist and composer who, in the years since her death, has become one of the recording artists most heavily sampled on hip-hop tracks.  Brandee Younger's latest album, Brand New Life, plays tribute to Dorothy Ashby, by taking her poly-stylistic inclinations even further.   
</description>
  <itunes:keywords>NewMusicBox, SoundLives, interviews, conversations, harp, jazz, hip-hop, R&amp;B, collaboration</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres. How she has transformed this instrument seems without precedent. But a huge role model for her was Dorothy Ashby, a jazz and later R&amp;B harpist and composer who, in the years since her death, has become one of the recording artists most heavily sampled on hip-hop tracks.  Brandee Younger&#39;s latest album, <em>Brand New Life</em>, plays tribute to Dorothy Ashby, by taking her poly-stylistic inclinations even further.  </p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Brandee Younger has carved out a very unlikely music career for herself, a classically-trained harpist who went from making her jazz debut over a decade ago to being an in-demand leader and collaborator in a wide range of musical genres. How she has transformed this instrument seems without precedent. But a huge role model for her was Dorothy Ashby, a jazz and later R&amp;B harpist and composer who, in the years since her death, has become one of the recording artists most heavily sampled on hip-hop tracks.  Brandee Younger&#39;s latest album, <em>Brand New Life</em>, plays tribute to Dorothy Ashby, by taking her poly-stylistic inclinations even further.  </p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 15: Anthony Davis: Any Means Necessary</title>
  <link>https://soundlives.fireside.fm/15</link>
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  <pubDate>Mon, 16 May 2022 18:45:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/af01f0f6-39cd-4362-a79d-a92ae1120788.mp3" length="82949510" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>Anthony Davis uses jazz, classical, and many other styles in operas dealing with major historic events or important social concerns.</itunes:subtitle>
  <itunes:duration>57:36</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/a/af01f0f6-39cd-4362-a79d-a92ae1120788/cover.jpg?v=1"/>
  <description>For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it's inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns. As he tells Frank J. Oteri in this latest episode of NewMusicBox's SoundLives podcast, "What we face now ... has made it more urgent for me, as an artist, to present things to challenge those forces." Read more on NewMusicBox: https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/. 
</description>
  <itunes:keywords>NewMusicBox, SoundLives, composer conversation, jazz, opera, social justice, X, Central Park Five</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it&#39;s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns. As he tells Frank J. Oteri in this latest episode of NewMusicBox&#39;s SoundLives podcast, &quot;What we face now ... has made it more urgent for me, as an artist, to present things to challenge those forces.&quot; Read more on NewMusicBox: <a href="https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/" rel="nofollow">https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/</a>.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>For Anthony Davis, whose compositional aesthetics are an amalgamation of several different musical traditions (jazz, Western classical music, gamelan), different kinds of music recall different emotional states and experiences in terms of what the music implies. So it&#39;s inevitable that he has devoted so much of his compositional energies to opera, and in particular to using the operatic medium to tell stories that either deal with significant historic events or which focus on important social concerns. As he tells Frank J. Oteri in this latest episode of NewMusicBox&#39;s SoundLives podcast, &quot;What we face now ... has made it more urgent for me, as an artist, to present things to challenge those forces.&quot; Read more on NewMusicBox: <a href="https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/" rel="nofollow">https://newmusicusa.org/nmbx/anthony-davis-any-means-necessary/</a>.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 10: Terri Lyne Carrington: A World of Sound Waiting for Us</title>
  <link>https://soundlives.fireside.fm/10</link>
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  <pubDate>Wed, 03 Nov 2021 11:00:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/87645e62-9c35-4da1-bb75-4d2f0972aa6b/c3a2123d-d5e5-4ff5-9658-828db6261fb0.mp3" length="77906147" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>NEA Jazz Master and three-time Grammy Award-winner Terri Lyne Carrington was practically born into jazz, but she is not a traditionalist.</itunes:subtitle>
  <itunes:duration>53:46</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/8/87645e62-9c35-4da1-bb75-4d2f0972aa6b/episodes/c/c3a2123d-d5e5-4ff5-9658-828db6261fb0/cover.jpg?v=1"/>
  <description>NEA Jazz Master and three-time Grammy Award-winner Terri Lyne Carrington was practically born into jazz, but she is not a traditionalist. By embracing elements from rock, rhythm and blues, and hip-hop into her own compositions, she is making music that is very much about the present moment. And in founding the Berklee Institute for Jazz and Gender Justice and now partnering with New Music USA on the new Next Jazz Legacy program, Terri Lyne hopes to build a future that dismantles the jazz patriarchy and eliminates the gender imbalance among instrumentalists. 
</description>
  <itunes:keywords>NewMusicBox, New Jazz Legacy, Jazz and Gender Justice, Grammy, Berklee, NEA Jazz Master</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>NEA Jazz Master and three-time Grammy Award-winner Terri Lyne Carrington was practically born into jazz, but she is not a traditionalist. By embracing elements from rock, rhythm and blues, and hip-hop into her own compositions, she is making music that is very much about the present moment. And in founding the Berklee Institute for Jazz and Gender Justice and now partnering with New Music USA on the new Next Jazz Legacy program, Terri Lyne hopes to build a future that dismantles the jazz patriarchy and eliminates the gender imbalance among instrumentalists.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>NEA Jazz Master and three-time Grammy Award-winner Terri Lyne Carrington was practically born into jazz, but she is not a traditionalist. By embracing elements from rock, rhythm and blues, and hip-hop into her own compositions, she is making music that is very much about the present moment. And in founding the Berklee Institute for Jazz and Gender Justice and now partnering with New Music USA on the new Next Jazz Legacy program, Terri Lyne hopes to build a future that dismantles the jazz patriarchy and eliminates the gender imbalance among instrumentalists.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
  </itunes:summary>
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