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    <title>SoundLives - Episodes Tagged with “Native American”</title>
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    <pubDate>Wed, 29 Jun 2022 10:00:00 -0400</pubDate>
    <description>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
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    <itunes:subtitle>SoundLives, a NewMusicBox podcast, shares insights and stories from people who dedicate their lives to new music. </itunes:subtitle>
    <itunes:author>Frank J. Oteri</itunes:author>
    <itunes:summary>SoundLives, a NewMusicBox podcast, is brought to you by New Music USA, the resource for adventurous creators and listeners in the US and beyond. 
This program is funded in part by: the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs – and listeners like you.  
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      <itunes:name>Frank J. Oteri</itunes:name>
      <itunes:email>box@newmusicusa.org</itunes:email>
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  <title>Episode 16: Raven Chacon: Fluidity of Sound</title>
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  <pubDate>Wed, 29 Jun 2022 10:00:00 -0400</pubDate>
  <author>Frank J. Oteri</author>
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  <itunes:author>Frank J. Oteri</itunes:author>
  <itunes:subtitle>While the idiosyncratic graphic scores of 2022 Pulitzer Prize winning composer Raven Chacon are stunningly original in their conception and have been recognized as works of visual art in their own right (several are in this year's Whitney Biennial), they have a larger social purpose.</itunes:subtitle>
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  <description>While the idiosyncratic graphic scores of 2022 Pulitzer Prize winning composer Raven Chacon are stunningly original in their conception and have been recognized as works of visual art in their own right (several are in this year's Whitney Biennial), they have a larger social purpose. WARNING: A little bit after the 44 minute mark in this hour-long podcast there is an excerpt of a musical performance involving shotguns. 
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    <![CDATA[<p>While the idiosyncratic graphic scores of 2022 Pulitzer Prize winning composer Raven Chacon are stunningly original in their conception and have been recognized as works of visual art in their own right (several are in this year&#39;s Whitney Biennial), they have a larger social purpose. WARNING: A little bit after the 44 minute mark in this hour-long podcast there is an excerpt of a musical performance involving shotguns.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
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    <![CDATA[<p>While the idiosyncratic graphic scores of 2022 Pulitzer Prize winning composer Raven Chacon are stunningly original in their conception and have been recognized as works of visual art in their own right (several are in this year&#39;s Whitney Biennial), they have a larger social purpose. WARNING: A little bit after the 44 minute mark in this hour-long podcast there is an excerpt of a musical performance involving shotguns.</p><p><a rel="payment" href="https://www.newmusicusa.org/donate/">Support SoundLives</a></p>]]>
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